Sarah Savoy and the Francadians @ Whelans, Dublin - Sat 21st Jan 2012

Cajun came to Camden Street in the formidable shape of Sarah Savoy and the Francadians - a quartet of David Rolland on accordion, Manolo Gonzales on upright bass, Vincent Blin on fiddle and the larger than life Sarah Savoy on vocals and guitar. Savoy is the obvious leader and focal point of the band (and from an illustrious family steeped in the cajun traditions and music) but this is a fully integrated band not a backing group and vocalist. Something that was highlighted in the opening song Little Bitty Girl that played with double entendres and ended with the line that “we all play together”. This was one of the few songs delivered in English but that didn’t in any way affect the overall enjoyment of the evening as French is the natural language of cajun and at least half the band are native Frenchmen. This was their first time to play Dublin although they had been in the city before. Many of the songs they featured in tonight’s set were taken from their current Allons Rock ‘n’ Roll album. It takes a mix of classic country songs and one original all delivered in smokey French. For instance the Tex Williams, Merle Travis song Smoke, Smoke, Smoke That Cigarette is now Fume, Fume, Fume. Johnny Can’t Dance and Folsom Prison Blues were two others, the latter got an especially warm response. Savoy who was dealing with a shot voice due to a series of gigs and some bad PAs had to drop the keys of some songs in order to be able to sing them. However her natural exuberance carried her through and won the day. David Rolland took the lead on some songs too and provided a nice balance between the two. It was one of those gigs where both sides of the stage seemed to be enjoying the evening which ran to two sets and ended with the curfew. Throughout Savoy translated the essence of the songs and had an entertaining and funny stream of between song banter. Telling us that “there are blondes, brunettes and girls whose hair is so dark that even the devil don’t want them!” ... Savoy has jet black hair. She has an expressive face that makes her a natural on stage and has a band that are equally adept at what they do. She confided that all have very different tastes and agreeing on what to play in the van is difficult and usually comes down to some classic George Jones, something that they can all agree on. She also told us that cajun music is a very masculine music and so she had written High-Heel Two-Step to help redress the balance. The subject of many of the other songs though revolved around the consumption of alcohol and its subsequent results. Although space didn’t allow it and it only briefly broke out for the last song this is music made for dancing and the whole audience was caught up in its infectious rhythms. They said that they wanted to move to Dublin but true or not they would be welcome back anytime.

Review by Stephen Rapid. Photograph by Ronnie Norton