Mean Mary Blazing Woodstock
This lady is a real talent and her back story is the stuff that makes a movie script seem far-fetched. Raised by a nomadic family, at times in the wilds and the woods, building their own log cabin and embracing a life of home schooling.
Mary James learned to play music at a very young age and is a novelist and a music producer, who has regularly appearared on Nashville TV shows, as well as running her own You Tube channel (35,000 subscribers). Her endorsing of Deering Banjos, an instrument on which she absolutely excels, is proof of her talents as a musician and her dexterity on fiddle and guitars is also most impressive.
Mean Mary is a performing name and whether touring solo or with her sometimes band, Mean Mary & the Contrarys, her musical strengths are always to the fore. While the banjo displays traditional bluegrass sounds, Mary plays the instrument in a way that makes it very melodic & tuneful.
Her brother Frank plays some excellent guitar and this project is a soundtrack to her latest book, Hell Is Naked, about a SWAT agent working undercover as a movie extra. The good thing is that the music stands up as a separate entity and it is not necessary to reference the book to enjoy the music that has been created as an accompaniment piece.
Ten tracks and plenty of virtuoso playing from Mary & Frank James on banjo, 6 and 12-string guitars violin & percussion. Tracks like Rainy, Rock Of Ages, Lights, Gun, Action and the title track are all instrumentals and played with an elán and verve that is quite infectious. I Face Somewhere, Gone and Sugar Creek Mountain Rushare also expertly delivered.
Her constant companion through much of this career activity is her Mother/author, Jean James. Some of their videos are a real joy to catch online and I would recommend a visit for a few giggles and to witness some fine musicianship into the bargain.
Mean Mary also peddles a sweet pickin’ balm as a sideline, aimed at all banjo players and beyond - a unique blend of natural plant oils infused with eight essential oils. These plant oils deeply moisturize sooth and protect your skin, keeping it supple for fast pickin’.
Need I say any more…? Big smiles all round!
Spencer MacKenzie Cold November Self Release
Still in his teenage years, this young Canadian musician certainly knows his way around a fretboard. This is a second release and the quality of playing is very impressive indeed. There are hints of Stevie Ray Vaughan in the style with some excellent solo breaks and passionate Blues riffs. The future is certainly bright for this young player and already he is punching well above his tender years in terms of the quality of his sound and natural ability.
The title track, Cold November, is a tribute to the families of the Paris attacks in 2015 and the studio musicians deliver consistently high standards across all ten songs (written by MacKenzie). Move On Down The Track; Haunt Me; Next Door Neighbour Blues and She Don’t Care are strong examples of the fine musicianship on display, with a horn section that impresses while the core band deliver a tight sound that allows MacKenzie to solo around the rhythm with an unrestrained joy. One to watch.
Steve Dawson Lucky Hand Black Hen
This is Steve Dawson’s 8th album and his first record of instrumental music since Rattlesnake Cage appeared in 2014. A multiple Juno Award-winning producer, for this project he turned to long-time collaborator and friend, Jesse Zubot to assist in scoring and arranging the strings for five of the ten tracks included.
With the Warehouse Studio in Vancouver providing the space required, Dawson recorded live with up to twelve microphones in various positions to capture the guitar and orchestration. Contributions from Peggy Lee (cello), Jesse Zubot and his brother Josh (violins) and John Kastelic (viola) create a rich tapestry of sound and the perfect back-drop for quiet days spent in contemplation or lazy evenings by the fireside with a favourite glass of wine, perhaps. Tracks such as The Circuit Rider Of Pigeon Forge; Bone Cave; Old Hickory Breakdown; Little Harpeth and Bugscuffle are worthy mentions across the project but really, there is not a weak track on display.
Playing a range of guitars – acoustic, 12-string, national tricone, weissenborn, ukulele – the depth of Dawson’s talent lies in the fact that the melodic progressions are seamless and give the impression of total fluidity and graceful ease. Joined also by Jeremy Berkman (trombone), Nick Anderson (french horn), Sam Davidson (clarinet), John Reischman (mandolin) and Charlie McCoy (harmonicas) on selected tracks, it all works as a composite whole & the fact that he has produced and/or played on more than 80 albums since the turn of the millennium says it all really and speaks volumes for the national treasure that he has become in his native Canada.
The Vagabond Something Wicked This Way Comes Eggsong
Based in Norfork, England this ensemble releases their third album of songs and their sound is very much based in the area of Folk/Roots with traces of a harder Rock edge sprinkled through a number of the ten tracks included here. The band is comprised of nine members, which I am sure makes touring something of a logistical challenge; all those hotel rooms & meals to cover and the practicalities of transportation and instrument space - glad I’m not the tour manager!
In any event, their excellent music is well worth investing in and the organic sound is a heady mixture of fiddles, mandolin, pedal steel, dobro, flute, clarinet, sax, trumpet, guitars, keyboards and the occasional kitchen sink thrown in for good measure! This raggle, taggle band of gypsies resemble a Fisherman’s Blues era of the Waterboys with elements of Dylan (title track), Randy Newman (Spiritual Man) and Three Dog Night (One For The Road).
Tracks like Bright Are The Stars, Not My Day To Die and Zoetrope, are very melodic and overall, the celebratory sound is very appealing. The quality of musicianship and production from José McGill and Gregory Cook, both band members, is very clear and balanced to include all members in the mixing & mastering, so that none of the (many) instruments get drowned out.
The Fretless Live from the Art Farm Self Release
The Fretless is a Canadian four piece from Toronto & Vancouver who play fiddle tunes and folk melodies that are intricate, sprinkled with high-energy performance and a vibrancy borne from years of playing together. The goal is to continually push traditional music as far as possible and to expand the rhythmic, harmonic and structured arrangement style of the many folk genres.
They have won multiple Canadian Folk Music Awards and a JUNO Award for Instrumental Album of the Year. Trent Freeman (fiddle, viola), Karrnnel Sawitsky (fiddle, viola), Eric Wright (cello), Ben Plotnick (fiddle, viola). This Live project was recorded at the Artfarm recording studio in front of an audience to try and capture the dynamism of their live performances. The tracks are all traditional Irish tunes and they are a vibrant and tracks such as Jenny Welcome To Charlie/ Bear Island; Johnny O’Leary’s/The Miller’s Maggot/ The Sally Gardens; The Pipe On The Hob/Bixie’s Jig and the closer, The Star Of Munster are all fine examples of this fine band in full flight.
Dana Cooper Incendiary Kid Travianna
Working with co-producer/guitarist Thomm Jutz, this is the 28th recording in a career that has seen this artist work through the vagaries of the music industry since the 1970’s when he first recorded with Shake Russell and with his own rock band, Dana Cooper's DC3.
Incendiary Kid is a cohesive album of ten songs that cover a whole gambut of emotions, from wanting an idyllic World where love gets its own reward (Flat Made Round), sharing the daily load by reaching out to another (Traveller Too), isolation (Bird Or a Fish, Maybe Tomorrow), disillusionment (My America), relationships (Summertime Woman, Song of the West) and corporate greed (Making a Killing). With a sound that is based in acoustic folk/rock, Cooper’s finger-picking guitar style is complimented by his rich vocals.
He regularly visits Ireland and travels around the countryside with a bus of tourists in tow; acting as both guide and performer at various stop overs. This is an activity that other artists have been turning to in recent times as an idea to open additional income streams and to keep their core fan base interested in ongoing activities and projects.